Archive for the ‘Design & Inspiration’ Category

Typefaces I never want to see again

Monday, June 8th, 2009

It’s not just me. I’m only one typography snob in a discipline full of typography snobs. As you are assembling portfolios and hoping for that cool internship or swanky job after graduation, these are the fonts that will have Art Directors shuffling your application to the bottom of the pile. I’m not kidding about this, ask around. The following fonts can be extremely hazardous to the launch of your career. They are trite, easy solutions that reek of unprofessional standards, and more importantly, a fundamental disconnect with the history of design.

Using any of the following in your portfolio is the portfolio equivalent of forgetting to wear pants to a job interview:

  • Comic Sans (instant professional death)
  • Chalkboard (see Comic Sans)
  • Apple Casual (see Chalkboard)
  • Apple Chancery (even Apple is capable of making rubbish)
  • Brush Script (only good for Pawn Shops and Used Car Dealers)
  • Curlz MT (like, totally, for sure)
  • Herculanum (the Emperor’s new steaming pile of @#$%)
  • Lucida Calligraphy (Lucida is to Calligraphy as head lice is to dating)
  • Lucida Handwriting (see above, add open sores to the lice)
  • Marker Felt (see Chalkboard)
  • Mistral (see Brush Script, and add “Nail Salons” to the list)
  • Papyrus (discovering this in a portfolio is like discovering your fiancĂ©e wets the bed)
  • Zapfino (nothing says “I have no idea what I’m doing” like out of control descenders)

One of the real sins of using any of the above fonts is that is betrays the curiosity and creativity the designer is supposed to explore. It tells a prospective employer that you could not be bothered to look beyond the default free crap installed on your system. Granted, early in your education you might have used these fonts. However, they should be worked out of your portfolio fairly quickly.

As much as this reads like an admonition, I assure you this is a public service announcement.

Web sites you should be reading…

Friday, January 9th, 2009

As we navigate the course that is Typography and Advanced Projects, I recommend quite a few sites to read throughout the semester.

Add these to your Bookmarks, and start getting some new perspectives…

I love Typography

Aisle One

Daring Fireball

Veer Ideas

The Grid System

Thinking with Type

And finally, a site that is kind of about design (in a roundabout way), kind of about using graphics to display information (again, in a roundabout way), very much about simple ways to express concepts, and definitely hilarious.

Indexed

Thursday, October 30th, 2008

Have you ever even heard of the Interrobang

Jack up the font size in your browser for a better look. ⌘+ to increase font size, ⌘0 to set Safari back to normal. If you are using something else, you’re on your own.

What’s with all the Star Wars Stuff?

Thursday, September 18th, 2008

When I asked for questions, this isn’t entirely what I was expecting. That being said, this is actually a worthwhile question to answer.

When I was four years old, my dad took me to see Star Wars at Indian Hills Theatre here in Omaha. If you never got a chance to see a great movie on the Cinerama wide screen, you missed out. But I digress.

Star Wars was the first movie I saw in a theatre, and as you can imagine, it made quite an impression on me.

When I was six years old, Dad brought home a book called “The Art of Star Wars.” It was basically the script from the movie, shoehorned in between reproductions of the original concept drawings, paintings and renderings for the movie.

Until I saw those images, it never occured to me that Star Wars was fiction. As far as I was concerned, it was a documentary. When you’re six, you live in a constant suspension of disbelief. It was a revelation.

It was followed by a second revelation – it was somebody’s job to make Star Wars. This epiphany set of a creative boom that arguably lasted for years. I might actually still be functioning in it, I’m not sure. I drew Star Wars stuff constantly, inventing new ships and characters, the whole nine yards.

Gradually, I branched out into drawing other things, which evolved into art classes throughout school, a BFA in drawing, and the eventual MFA in design.

During all these years, I always seemed to have a Star Wars thing around in my room or in my office. For example, early in my undergraduate years, I bought a Darth Vader helmet that lived on my shelf in Kiewit, and then went to my studio in Indiana. It followed me to my offices in Omaha. It was always accompanied by a few trinkets, a figure here, a keychain there.

Over the years, this collection kept growing. And when I got stuck on a project, I’d stare off at these trinkets, space out, and begin to arrive at an answer. They functioned as a creative “restart” button.

It wasn’t until I really thought about why I kept this Star Wars security blanket around that I realized that all this stuff literally resets me to that mental mode I had when I was six years old. That discovery that I could create something cool that would affect people, looking at all this stuff takes me back to that state. In short, it provides a mental creative reset that helps me melt away creative blocks.

It’s only recently that I had the insight that the introduction of a movie and subsequent book had such a massive impact on my life. A book and a movie basically opened the door to my profession when I was six. Talk about your nature versus nature.

So now I have a not-too expensive habit of snagging cool Star Wars guys when I’m wandering through Target. And I have a very understanding wife who gets me big expensive Star Wars things on special occasions. And when she’s not feeling very understanding about me standing in front of a toy display shopping for both me and my four old son (fledgling Star Wars freak himself), I have a standard answer to why I’m wired this way.

It’s my dad’s fault.